angelika stepken – writing in agonistic zones
About
For many years, I had the opportunity to structure an institutional space and thus reflect on the tension between artistic practice and political, social space. My return to freelance work coincided with the final collapse of the postwar Western order and its ideological division of the world into good and evil, top and bottom, inclusion and exclusion. As an author, I move in sedimented territory whose legibility is shaped by historical constraints and hypocrisies. Art is aware of the dialectic of subjectification and subjugation. The infrastructures assigned to it, however, are losing their credibility or positioning themselves in controversial constellations of power and powerlessness.
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From time to time, I try to formulate approaches to a distorted past, present, and future through writing. The texts appear here in German, English, and/or Italian.
The alliance of „Widersetzen“
The Broken Art World
Die Filme des Giovanni Cioni
Amnesie und Aktivierung
Gedanken zur Sprache des Politischen im Kulturbereich
100 Jahre zwischen Kriegen
Aufkündigung einer Komplizenschaft
INSORGIAMO
Osservazioni frammentarie su cosa hanno a che fare oggi l’arte e il diritto
Dialogo su ‚Afternoon‘
Farkhondeh Shahroudi – give something of yourself
The Genuino Clandestino’s fight for food sovereignty and assembly democracy
TOCCAUNOTOCCATUTTI (What concerns one concerns all)
Abstraktion und Belastung / Abstraktion and Stress
Vom Schweigen der Malerei
Cuicuocua – giocatori di una squadra senza avversari
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angelika stepken - writing in agonistic zones
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angelika stepken - writing in agonistic zones 